In this lesson, we'll be identifying the tones and sonic qualities of tones of the major scale, and how the major pentatonic is formed using a major triad plus connector tones.
- Category
- JamPlayDotCom
Sign in or sign up to post comments.
Be the first to comment
Up Next
Autoplay
-
59:29
Turning Scales Into Melodies Week 5: Exploring the Dorian Mode
-
1:05:06
Turning Scales Into Melodies: Week 3 - Parallel Minor Pentatonic
-
1:06:23
Turning Scales Into Melodies, Week 8 - Mixed Chromatics
-
1:00:32
Turning Scales Into Melodies: Week 6 - Exploring the Mixolydian Mode
-
06:31
What is a Pentatonic Scale Part 3 | Major Pentatonic Scale | All 5 Positions
-
1:09:18
Turning Scales into Melodies - Lesson 1: Phrasing and Line
-
07:58
Turning a Scale into Chords - 4 Exercises
-
59:45
Turning Scales Into Melodies - Week 4 - The Aeolian Mode (Natural Minor)
-
1:06:42
Turning Scales Into Melodies Week 7 - The Ionian Mode
-
00:45
Patrick Breen is turning his ideas into tracks with the all new Fender Studio and Link I/O
-
04:51
Juanes Visits The Gibson Artist Lounge
-
12:24
Gibson Montana NAMM 2020 Tour With Cesar Gueikian
-
01:01
Gibson NAMM 2020 Recap
-
06:14
Dave Amato Visits The Gibson Artist Lounge
-
04:55
Emily Wolfe Visits The Epiphone Artist Lounge
-
02:51
Epiphone NAMM 2020 Tour With Cesar Gueikian
-
34:58
The Collection: John Shanks
-
04:41
Tony Iommi Monkey 1964 SG Special Replica
-
07:11
The Process: Episode 7
-
06:27
Designing the Electro-Harmonix 9-Series Pedals
Loading...